Appearance and Reality

abril 28, 2011

(or reading Russell’s Problems of Philosophy while reading Heidegger)

Juliana de Albuquerque Katz

The style of the text we have been given1 leads the reader to a rationalist approach of the question concerning appearance and reality. As a matter of fact its first paragraphs seems to be a parody of the style of the cartesian meditations. In order to make such reference clear, there are three moments of the text I would like call attention to: its very beginning with the question is there any knowledge in the world which is so certain that no reasonable man could doubt it?; its following explanation to which philosophy is merely the attempt to answer such ultimate questions; and the affirmation that knowledge is to be derived from our present experiences but any statement as to what is that our immediate experiences make us know is very likely to be wrong.

 Moments that, if we attentively observe them in their full development, will culminate in the following situation: if the world qua object of our investigation exists, it should not be the same one as experienced by our immediately experience. Actually, it should be an inference from what is immediately known to us. Thus leading us to very tricky questions concerning the existence of the external world and its characterization as an object.

 The distinction between appearance and reality: “between what things seem to be and what they are” often puzzled the modern philosophers and had one of its most emblematic moments in the philosophy of Descartes. Thus, it will not be a coincidence, that in the 19th century Hegel – who was against the modern distinction between subject and object – will criticize the French philosopher and try to build his own version of the problem by affirming that appearance will be related to an essence that will appear or show itself. Says Michael Inwood: “in this case Sein (‘being’ i.e., what we are immediately acquainted with) is Schein, both in the sense that it is dependent on something else, an essence, and in the sense that it does not fully manifest that essence.”

 Hegel’s claim on these matters seems to have been influenced by the expressionist turn carried on by German Philosophy under Herder and the Romantics. These philosophers were against the shift of modern times to a self-defining and atomistic subject that was bound to a sense of control of the world, i.e., the objectification of the world. A world that would have lost its sense of embodied meaning to a mechanistic notion that could easily be grasped by a mathematical reasoning: the locus of neutral, contigent correlations freed from final causes and related to efficient causation only.

 In fact says Charles Taylor:“Herder reacts against the anthropology of the Enlightenment, against what he called the ‘objectification’ of the human nature, (…) against a calculative notion of reason, divorced from feeling and will. And he is one of the principal of those responsible for developing an alternative anthropology, one centered on the categories of expression.”

 It seems to me that Heidegger is not too far from Herder and Hegel in his critique of rationalism and and the consequences of the full import of the cartesian model to our way of thinking the world and our relation to it; since they all appear to maintain that the objectivity of the moderns portraits a reality in which the world as that which shows itself in itself – as manifest, is actually forgotten.

 This forgetfulness of the phenomenon of the world by the moderns is the cause of its skepticism about the external world. A position which is avoided by Heidegger – and, as a matter of fact, also by Hegel, although his thoughts on this matter won’t be explained in this text – by reacting towards the the modern representationalist framework of the investigation about reality. In fact, Heidegger will claim that the contextless world of representationalism is an illusion. He will say that the world is the humam world: “it is the affirmation of the reality of what shows up for us”.

 This idea that the world is the human world finds its foundations on husserlian intentionality because it admits that every consciousness is consciousness of something. Every consciousness is in relation to its object. There are no consciousness apart from its objects as there are no objects objects apart from consciousness. Dasein is being-in-the-world and its structure favors it to already have a previous knowledge of this reality because it happens to be thoroughly in contact with it.

 This amounts that Dasein’s previous knowledge of the world is on the basis of its familiarity with the world. This familiarity is what enables Dasein to find its way around. One must toss away the cartesian notion that our mind bares inside of itself a representation of the world. There is no such a thing. In reality we are always outside of ourselves in the world and towards the world as transcendence.2

 Accompanying the moments which I mentioned in the very beginning of this text, Russell gives the reader a very interesting example about a table that may be set to illustrate exactly what Heidegger seems to criticize about Descartes, in the section 21 of Being and Time about the Hermeneutical Discussion of the Cartesian Ontology of the World. Says Heidegger: “we must then demonstrate explicitly not only that Descartes’ conception of the world is ontologically defective, but that his Interpretation and the foundations on which it is base have let him to pass over both the phenomenon of the world and the being of those entities within-the-world which are proximally ready-to-hand”.

 According to Heidegger, Descartes’ conception of the world is ontologically deficient because it is based on a tradition that insists in being as present-at-hand (the metaphysics of presence) and finds in mathematical science a suited ally. Thus, the table in Russell’s text is not a in order to for Dasein (i.e., an equipment or a tool). It appears as being examined while dissociated of its usefulness or the concern it might have for Dasein. It is a collection of characteristics: “to the eye it is oblong, it is brown and shiny, to the touch it is smooth and cool and hard; when I tap it, it gives out a wooden sound.” Its whole apprehension is its theorization. This shows that Descartes and the cartesian tradition skip the problem of how to get an appropriate access to entities within-the-world. Thus the cartesian reliance on intuition (noesis) against sensation although, Heidegger says, “sensation as opposed to intellectio, still remains possible as a way of access to entities by a beholding which is perceptual in character.”

 In relation to the experience of the table, if I were to reconstruct Russell’s text in a heideggerian fashion it would read this way:

 Dasein’s most basic way of being is even more basic than seeing something as something which it is. In its averageness Dasein is in a pre-reflexive way and it acquires the understanding of things within-the-world while skillfully coping with these things. There is a direct connection between Dasein and the things and everything it does already presupposes this a priori involvement. Heidegger does not want to separate Dasein from the world on the assumption that it would render both of them closely to the subject-object relation.

 The way of being of the table is readiness-to-hand. Since it is not self-sufficient, a table is not presence-at-hand. The readiness-to-hand of the table can be understood in its usefulness for Dasein. A Dasein uses a table in order to work or to read Being and Time. In using the table as an equipment it becomes present to Dasein and it is freed from holistic background of relations and equipment in the study room. If Dasein copes with the table in a satisfactory fashion it can be said that it [Dasein] is by using the world to take a stand on itself. Thus, the table in the study room will be described in a completely different fashion from the explanation given by Russell. Instead of primarily comporting a series of characterizations, it will be described through Dasein’s familiarity with it: the table used in order to study.

 The aim of Heidegger’s deconstruction of Descartes (and of the present deconstruction of Russell text) is exactly to provide an explanation that will cease the confusion between scientific description of things and our experience of the world. Although Descartes is gives the foundation of the scientific conception of the world as nature. One must understand that to a heideggerian point of view the world is not a thing. It is not a material thing due to nature’s characteristic as res extensa. World is part of the fundamental structure of Dasein itself as being-in-the-world: it is Dasein’s way of being. It is grounded on the way Dasein exists.

 Like in the past when Descartes distinction between nature and spirit – res extensa and res cogitans – raised the suspicion of Herder and Hegel; this time it comes to Heidegger’s attention that far from revealing Descartes rebellious character against tradition, it proves that the structure of nature as res extensa actually places Descartes amongst the tradition itself because it takes being “that simple awareness of something present-to-hand in its sheer present to hand” says the German philosopher.

 Another issue to the cartesian interpretation of world is that it obscures the meaning of the being of Dasein. This occurs because it also is interpreted along with tradition under the category of substance. If one tries to do the effort to think with Heidegger, one will see while reading the Meditations that the relation between Dasein and the world becomes totally obscure and this is becomes clear if we also analyse Russell’s explanation.

 Finally, although much more could be said about the issues being dealt in this text, I would like to say that the punch line of Heidegger’s critic of Descartes is obviously the confusion the French philosopher does in using particular ontology to work general ontology. A critic that Hegel also directed to his contemporaries who insisted in doing ontology through the means of particular sciences. I quote Large: “any ontical science (however interesting and true it might be on its own terms) cannot be an answer to an ontological question”.

 Reference:

Inwood, Michael. A Heidegger Dictionary. Blackwell Publishers, Massachusetts, 1999.

Large, William. Heidegger’s Being and time. Indiana University Press, Indiana, 2008.

Heidegger, Martin. Being and Time. Harper Perennial, New York, 2008.

Heidegger, Martin. Introdução à Filosofia [Eintelung in die Philosophie]. Martins Fontes, São Paulo, 2008.

Taylor, Charles. Hegel. Cambridge University Press, Cambridge, 1975.

1The following observations were an exercise based on the first two pages of the chapter about appearances and reality of Russell’s book The Problems of Philosophy.

2Hubert Dreyfuss maintains that: as a fundamental determination of Dasein’s ontological structure, transcendence will found intentionality. The intentionality inaugurated by Heidegger is a primordial mode of intentionality which differs from its husserlian counterpart. Actually this primordial intentionality refers to Dasein’s non-representational and non-mental absorbed coping was Dasein is in its averageness.


Brazilian Carnival: a guide for the perplexed.

março 30, 2011

(versão original em inglês do meu artigo, publicado em dezembro de 2010 pela Yod, revista italiana de cinema, comunicação e interdisciplinaridade)

Juliana de Albuquerque Katz

Philosophy Student at Tel Aviv University

juliana.albuquerque@gmail.com

A small account of Brazilian Carnival through the eyes of a Philosophy student trying to understand her own country and its culture. As a mix of narrative and Philosophical enquire, the article aims to cause a reflection about gender discrimination and its probable genesis in Brazil. From the letter of Pero Vaz de Caminha to the poems of Ascenso Ferreira the author observes an increasing objectification of women which makes her ask herself about the Brazilian ethical behavior through History. Which, in fact, would explain the difficulty to analyze how Brazilian values are built in a context of social and moral permissibility. Would Brazil be more intelligible if dealt as an Ethical-Aesthetical project such as in some of Darcy Ribeiro’s reflections? If so, how can we think of using the notions of body and sexuality to reinterpret the concept of the Hegelian recognition in order to prove with Simone de Beauvoir that the first step towards acknowledging the other should be affectivity and not conflict? Thus, what does our current Aesthetic vices tell us about the constant objectification of women? Do women take part of an Ethical world or are they set aside as an absolute other? To the author this is the riddle Momus casts upon us all. Key-words: Carnival, Brazilian Culture, Recognition, Gender Discrimination.

I

It is Saturday morning and the streets of Recife’s commercial center are packed with people. They all dress very differently from their daily clothing. Instead of the seriousness of the socially accepted disguises it is time to come out of the closet and chose to be oneself beyond its limitations. Supermen, ballerinas, Indians and even Carlitos seem to invade the streets. Some men dress as women and some women dress in minimalistic clothes. They dance and sing nonstop.

Street vendors walk along with the crowd selling cold beer with buckets pilled on their heads. I can’t find any coins in my pocket and another person pays for my drink. We instantly become friends. It’s an everlasting Carnival friendship until the next corner of the street where we take different directions. I head to the main bridge in town where an enormous and colored rooster stands still although the crowd seems to make the entire city vibrate. I am inside the famous Galo da Madrugada, the world’s biggest carnival street party that involves at least three traditional commerce neighborhoods in the city of Recife. The party starts at Bairro de São José, continues at Bairro de Santo Antônio where it apparently achieves its zenith at Avenida Guararapes, although the crowd also invades the city center main avenue already in Bairro da Boa Vista. Overall, a crowd of at least 1.5 million people follow the party on its 9 Km route.

It is insane! The heat is unbearable and can only be overcome by the beer. Suddenly everybody seems to be drunk and irreverence takes place. Men grab women by the arm and kiss experiencing no trace of resistance but reciprocity. People watching the party from above the old buildings start to dance on the edge of their balconies. Everywhere there is the smell of sweat, urine, ether and marijuana.

For the next three days not only Recife but the entire country will slow down and get involved in an atmosphere of consented social misdemeanors. In Salvador, crowds will follow the famous trios elétricos, modified cars with ultra-potent sound-systems, on the top of which artists such as Caetano Veloso, Gilberto Gil and Daniela Mercury sing and dance to the rhythm of Axé Music. In Rio de Janeiro many people will watch samba schools perform on Sunday and Monday evenings. But street parties are also bound to happen in many of Rio’s neighborhoods. In fact, street parties are the main characteristic of Brazilian Carnival. Nevertheless, although they seem to acquire a different flavor in each one of the country’s regions due to Brazil’s diverse cultural and ethnical formation, their essence still the same: the struggle of the people in forming a Brazilian identity freed from the historical oppression of illegitimate political elites.

Thus the atmosphere of social misdemeanors; which is a more exuberant picture of the historical Brazilian people’s relaxed threshold of moral values: a consented and decadent people’s revolution.

Such characteristic of this population is well examined by the historical documentation in Sérgio Buarque de Holanda’s book História Geral da Civilização Brasileira. In this work, the author quotes Bishop Pero Fernandes Sardinha report to the King of Portugal «many more things ought to be dissimulated instead of punished in such a new land (…)» (Holanda, 1963:119) A quote that can be accidently linked to the 20th century Chico Buarque’s Carnival tune that celebrates the inexistence of sin bellow the Equator.

II

This historical context of social and moral permissibility marks my difficulty to explain to my foreign colleagues how our values are built if the concepts of sin and, consequently, redemption do not seem to take effective part of our social structure.

One should try to understand Brazil as an Ethical-Aesthetic project. Something like Darcy Ribeiro’s idea of a “Brasil bonito” and, therefore, one should have the courage to face Brazilian reality. Only then, the country and its manifestation will acquire some intelligibility and let itself be spoken of.

I struggle to analyze the issue of Brazilian ethical behavior through the History of a Aesthetic clash between Civilization and Eros. Such clash in our national History has its roots well fixed 510 years ago, when the first Europeans arrived at the newly discovered Terra de Vera Cruz, and nowadays, is well portrayed by the annual Carnival season with the exploitation of female image.

In this case, the History of such exploitation dates back in the 16th century when Pero Vaz de Caminha wrote a letter to the Portuguese king about the marvelous newly discovered land and its inhabitants – the native South American Indian tribes. And those natives (male and female) as portrayed by Caminha were of such beauty and innocence that they would walk around naked without a trace of shame on the presence of strangers.

Needless to say that in many quotes from the letter, Caminha attains himself to the elaborate description of female beauty and writes to the king about their round bodies and gracious genitalia. To which, he states, are of such a beauty that would cause envy to the European ladies of the court.

Nowadays, however, the European ladies of the court exchanged places with middle- class women who year after year sit in front of their television sets to watch the traditional advertisement of the carnival season broadcast by Rede Globo (the country’s largest television company).

My early Carnival memories go back to this traditional advertisement. Since 1991, its video take presents a mulata dancing frenetically to the rhythm of samba while being stripped out of colorful make-up in order to become a bit more naked in every annual season.

The envy felt by many women over the image of the beautiful mulata is indeed the result of a lack of confidence of average female to self-image and reliance to the body nurtured on the female while on the early stages of formation of her social character, a fact that has been examined since Simone de Beauvoir’s writing of Le Deuxième Sexe.

According to the French philosopher, not to have confidence in the body is not to have confidence in oneself which lead us to figure out that the body should be understood as the objective expression of the subject (Beauvoir, 1986: 93, vol. II). Such a theory was drawn by the Husserlian concept of Leib, and later adopted by Maurice Merleau-Ponty in his work Phenomenology of Perception in the notion of corps vivant which Beauvoir was familiar with and evolved in her works, most notably Le Deuxiéme Sexe and Pour une morale de l’ambigüité.

I want the reader to focus on the sole idea of the body being the objective expression of the subject. Because, if it is so, what can be said about the situation of women in Brazil due to the fact that their body is only recognized as an object instead of being acknowledged as the expression of her self?

Ascenso Ferreira (1895-1963) is a well-known Brazilian poet. In his works he portraits regional themes from northeastern Brazil. In one of his verses about Carnival he says: «I saw the Genius of the Race!/ (I bet you think I will talk about Rui Barbosa)/ How!/ The Genius of the Race that I saw was that little chocolate mulata/ doing the siricongado step/ on Tuesday of carnival!»ii.

In the poem, a man envisions a woman’s perfection as being a mouth-watering chocolate colored mulata. The relation of a food in order to describe the woman’s main features should be rated as offensive wasn’t for Ferreira’s poetic efforts. As a matter of fact, such a comparison shows nothing that can be considered remarkable but for the fact that it consolidates a female image as man’s mere object of immediate satisfaction.

To this fact one can picture gender relations in Brazilian cultural expressions to be quite precarious. In fact, they are an emulation of medieval European content. And, therefore, they betray Darcy Ribeiro’s theoretical utopia of a new Tropical Civilization.

III

Now, to understand how such a Tropical Civilization would be possible, one must understand the Carnival phenomenon not as a mere transgression of traditional imposed values, but as a synthesis of values and as an adaptation of all the other civilizations taking part on a larger than life tropical attitude.

Thus, the simple emulation of medieval European content to the gender relations in the country already sounds as an imposed value due to suffer a modification. And such a change can be set in motion if we reinterpret the Hegelian concept of Recognition through the application of body and sexuality as its possible fundamental tools – which would bring us face to face to the fact that the living body is indeed part of our situation.

To the mulata in Ferreira’s poem or simply to any other Brazilian female, this should mean a chance to become free and to actually take part on the social and political process of the making of a country and of a new tropical civilization.

In this new tropical civilization, Carnival would play a true revolutionary role. It would remodel affective relations and our way to face the other, which would not be seen as menace, or as the unknown absolute different; but as one like me which I am able to love. Such feeling would extrapolate particular relations and occupy an ethical function in providing grounds for a universal recognition and the legitimacy of political institutions.

Let Carnival be an open invitation to acknowledge the other. In the previous paragraphs I quoted Pero Vaz de Caminha. One should attentively read his letter and examine the way in which the Indians received the Portuguese travelers. It might have been innocent but it was not naïve: it was a phenomenological approach. They were open and ready to witness the unveiling of their Portuguese counterparts. If only the Portuguese were bound to ascribe themselves in the same movement without attributing the new land and its inhabitants the weight of being «(…) the paranoid and salvationist extension of Portugal and Iberia (…)»iii we might have had the courage to develop a tropical civilization from our very beginning.

Those were my thoughts as I left Galo da Madrugada already late in the afternoon but they soon deemed away as I, perplexed, entered the night and found myself new adventures to play.

——

i The Tramp or Charlot: a Charles Chaplin character.

ii «Eu vi o Gênio da Raça!!!/(Aposto como vocês estão pensando que eu vou falar de Rui Barbosa.)/Qual!/O Gênio da Raça que eu vi/foi aquela mulatinha chocolate/ fazendo o passo do siricongado/ na terça-feira de carnaval!»

iii Ribeiro, Darcy. in Ferraz, Isa Grinspum. Intérpretes do Brasil. Documentary. Brazil, Versátil Home Video, 2002.

Ackowledgments: To Marcelo Dascal, Pedro de Albuquerque and Frederico Jayme Katz for the discussions and for the patience.

Bibliography:

Beauvoir, Simone de. Le deuxième sexe, vol I, II. Éditions Gallimard, Paris, 1986.

Beauvoir, Simone de. Por uma moral da ambigüidade. Nova Fronteira, Rio de Janeiro, 2005.

Caminha, Pero Vaz. Carta a El Rei D. Manuel. Dominus, São Paulo, 1963.

Grinspum, Isa. Intérpretes do Brasil. Documentary. Brazil, Versátil Home Video, 2002.

Hegel, G.W.F. Fenomenologia do Espírito. Editora Vozes, Petrópolis-RJ, 2002.

Holanda, Sérgio Buarque de. História Geral da Civilização Brasileira. Difusão Européia de Livros, São Paulo, 1963.

Katz, Juliana de Albuquerque. Ética, Reconhecimento e Ambigüidade: um diálogo entre Hegel e Simone de Beauvoir. Universidade Católica de Pernambuco, Centro de Ciências Jurídicas, Recife-BR, 2009.

Merleau-Ponty, Maurice. Phenomenology of Perception. Routledge, New York, 2002.


Brainstorming on obscure matters: I, the Other and Philosophical thinking.

novembro 25, 2010

Juliana de Albuquerque K.

I am constantly mesmerized by the ability through which commonsense demonstrates the possibility of producing philosophy out of anything. In fact, I would like to be able myself to share its belief and to philosophize about the most mundane of matters in the most feeble of fashions. Although this does not seem to be the right path to engage into the suffering of philosophizing as an outrageous fortune it certainly is a good way to make money by selling false promises of wisdom to those naïve listeners of good will.

According to Harry Frankfurt, the most salient feature of our culture is that it produces bullshit,i.e., a quasi-equivalent to Wittgeinstein’s nonsense. But what is nonsense? Plainly speaking, ‘nonsense is encountered when a proposition is even more radically devoid of meaning, when it transcends the bounds of sense.’

In fact, it is Frankfurt’s idea that, much differently from what it is commonly presumed, the etymology of the word bullshit has little to do with bovine excrement. Indeed, its prefix bull comes from bluff which is a talking which is not to the propose – a bravado, or a hot air. Thus, if commonsense’s good-willing tactics do not elevate philosophizing to its ultimate consequences, what is it then? Bullshit, deviant reasoning, cheap-chat: hot air.

Until the present moment I tried to illustrate what is not philosophizing. Consequently all that one knows about it by this text is that it is not bullshit. So, what then shall I mean when I ask myself: what is philosophizing?

To philosophize is to engage oneself in rigorous thinking activity. Thinking, says Hannah Arendt, concerns a journey towards the understanding of the meaning of our world. It is the never-ending activity of questioning whatever that is that we encounter. It is not a job that can be considered to be done through the acquisition of positive knowledge. Instead, thinking involves the tiering work  of the negative. Through thinking one is bound to return to questions concerning “the meaning that we give to experiences, actions and circunstances”.

Yesterday I have been confronted with the following question: which of which is more important to philosophical thinking – dialogue with myself or controversy with the other?

In exchanging correspondences with Marcelo Dascal I came to learn that controversy is fundamental to the birth of knowledge because it compels one to question positive knowledge while it generates cooperation needed to the nurturing of knowledge on the make. Whereas, if thinking concerns the journey towards the understanding of the meaning of our world, and if we are talking about a human world being thought by a thinking human being one must come across the fact that human beings are beings-with-others, a truth which undermines the naïve structures of solipsism and necessarily grounds our thinking in thinking with and against others in an exercise of controversy.

Thus, the solitude of the philosopher, – much defended by the colleague who posed me the question-, necessary to the activity of thinking, must not delude us into assuming that philosophical thinking does not involve or worst, should not necessarily in involve, confrontation with others in a broader sense. In the most extreme of cases, a philosopher who engages himself into thinking, in the solitude of his cabinet, does not do so by excluding others from his inner dialogue. Instead, such a philosopher, is only able to philosophize with or against the others which are part of a philosophical tradition – that is to say, if he is interested in doing Philosophy at all. Therefore, to think, says Heidegger, is ‘coming-into-nearess to the distant‘.

In her effort to explain Heidegger’s claim about thinking and her own views on the subject, Hannah Arendt explains that to think is to engage oneself with things and people which are absent. While presence is necessary to  the immediate knowledge of the sensible world, it is absence that enable us to think about what sensible presences are in themselves. Thus, Arendt says, that to think about a man one need not to be posed directly in his presence.  In fact, she states: “one can easily bring this point home by familiar experience. We go on journeys in order to see things in farwaway places; in the course of this it often happens that the things we have seen come close to us only in retrospect or recollection (…)” Thinking, she explains, necessarily “removes what is close by, withdrawing from the near and drawing the distance into nearess.”

There is, in fact, nothing new about this assumption. Hegel, in his Phenomenology of the Spirit, just as Plato did in the past, invited his reader into a journey of consciousness to the truth about itself. A journey that could  only be done by those who reached its end and, therefore, were capable of remembering all its past moments. Memory and remembering: anamnesis is a conditioner of philosophical thinking. And, I said before, remembering in philosophical thinking cannot be detached from its Other: tradition. Thus, as long as one is not a simplon, and one does not assume philosophers develop their thinking over physical entities called books, one will realize philosophical knowledge and its renewal can only be supported by the dialogue and interlacement of the thinking activity of many human beings engaged in the task of doing Philosophy.

It is the communal efforts of philosophers in philosophizing that presents the seen and also the unseen possibilities within tradition. For instance, even though Hegel considered the act of thinking, as a solitary activity, in various passages of his philosophical system he emphasizes the importance of the dialectical moment to the organicity of his Speculative Philosophy. As a matter of fact, it is Hegel who says, in the Encyclopedia of Philosophical Sciences (1830), and again, on Lectures on the History of Philosophy that Philosophy and its History should be understood as the continuous dialectical development of the diversified levels of the Idea: ‘the relation of the philosophical systems of the beginning to those that came afterwards is in general the same relation of the preceding stages of the logical idea to its successors; in a way that, in truth, the succeeding stages will always contain in themselves their predecessors as dialectically suppressed.’

Does this not involve relatedness to others and dialogue? My idea is simple (and can be refuted, if not entirely accepted): the writing and production of a philosophical work still involves orality and dialogue with others as aufhebt [dialectically supressed] by the inherent structures of the text. For instance, it can be said, for example, that Plato’s works ‘preserved the power of the spoken word on the written page’. But let us try to use another example which might pose us some difficulty.

One must give some attention to Cavell’s interpretation of Wittgenstein’s style while writing the Investigations. According to the American philosopher, Wittgenstein constructed the text based on two voices: the voice of temptation, understood as that of metaphysics and skepticism; and, the voice of correctness, which represents the ordinary.

That would mean that the book could be understood as a dialogue. But, Cavell also points further: he affirms that in such a dialogue, neither of the voices can be taken as Wittgenstein’s own views. Suggesting that the style Wittgenstein adopts is the one of a confession in which the author seeks to find his way between temptation and correctness.

To say so implies that, as a attentive listener of these voices, the reader should work together with them, i.e., with the writer; in order to learn something. Such a reading will evoke an exercise for acknowledgment between the reader and the text, proving that what is being said should tell him something.

In What is Literature?, Jean-Paul Sartre raised a very interesting argument on this subject when he said that ‘The book, serving as a go-between, establishes an historical contact among the men who are steeped in the same history and who likewise contribute to its making. Writing and reading are two faces of the same historical fact, and the freedom to which the writer invites us is not a pure abstract consciousness of being free.’

I personally like this quotation because it serves to justify that the role of the confession-like style of Wittgenstein’s Investigations would raise a path to acknowledgment. Thus, giving support to Cavell’s idea in Must we mean what we say? that ‘In confessing you do not explain or justify, but describe how it is with you. And confession, unlike dogma, is not to be believed but to be tested, and accepted or rejected.’

Philosophy books are alive and they are the voice of a textual subject who wants to be acknowledged, i.e., recognized by an Other. Whereas, I find it weird when somebody tries to tell me that Philosophy as a dialogue was neglected in favor or writing philosophical books. Or, worst, I find it weird when somebody tries to tell me that the writing of books proves that inner dialogue (which, ironically enough, is still a dialogue) is sufficient to produce truth because ‘existentially speaking’ controversies with others should be alien to our structure.

Nevertheless, ‘existentially speaking’, we are fundamentally beings-in-the-world and, for that matter, beings-with-others. Proving, once and for all, that: truth, reason and knowledge  (and, maybe even thinking!) bare relatedness as the basis for its manifestation.

 


Husserl e Heidegger.

agosto 8, 2010

Fernando Pessoa.

julho 3, 2010

“O horror metafísico de Outrem!
O pavor de uma consciência alheia
Como um deus a espreitar-me!
Quem me dera
Ser a única [cousa ou] animal
Para não ter olhares sobre mim!”

(O Primeiro Fausto, III Tema: da falência do prazer e do amor)


Entre Leibniz e Hegel.

junho 28, 2010

Apresentarei o trabalho “Entre Leibniz e Hegel” no II Colóquio Internacional Comemorativo do III centenário de Publicação da Teodicéia, na Universidade de Lisboa, entre os dias 25 e 27 de Novembro de 2010.

Entre Leibniz e Hegel

Juliana de Albuquerque Katz,

Universidade de Tel Aviv.

Para Stanley Cavell, a filosofia deve ser encarada como uma série de textos cuja leitura desafia o nosso auto-entendimento. Assim, a excelência de um texto filosófico não deveria ser medida pela sua extensão ou pela sua capacidade de trazer à tona a solução para os seus próprios problemas filosóficos. Na verdade, a excelência de um trabalho filosófico esta relacionada com a qualidade dos demais trabalhos para os quais ira proporcionar inspiração.

Também Hegel aponta para o fato de que a Filosofia e a sua Historia devem ser entendidas como um desenvolvimento dialético contínuo dos diversos níveis da Idéia. Assim, em conformidade com os conselhos de Hegel e Cavell, ofereço uma visão da influencia de Leibniz no Idealismo Alemão. Mais precisamente, na filosofia de G.W.F. Hegel.

Um dos aspectos-chave da leitura de Leibniz desenvolvida por Hegel foi a ruptura com a escola de Christian Wolff e com a sua interpretação dogmática da do filosofo de Hanover. Tal ruptura foi apenas possível porque Hegel teve contato com as edicoes Dutens e Raspe da Opera Omnima Leibniziana. Favorecendo o seu acesso a um vasto material que incluía obras como a Monadologia e a Teodicéia. O que lhe permitiu fazer uma leitura mais acurada da obra de Leibniz e, talvez, tenha antecipado a reinterpretação do racionalismo Leibniziano.

As intenções da interpretação Hegeliana de Leibniz se tornam claras quando Hegel menciona o principio da razão suficiente na Enciclopédia das Ciências Filosóficas: “dentro em pouco se produzirá diante de nós o conceito – como tal conteúdo determinado em si e para si e por isso auto-ativo-; e é do conceito que se trata em Leibniz, quando se fala do fundamento suficiente, e insiste que se considerem as coisas sob esse ponto de vista. (…) De fato faz-se grande injustiça a Leibniz quando se acredita que ele se contentava com uma coisa tão pobre como essa lei-do-pensar formal, (…)”. Afinal, para Hegel, Leibniz teria trabalhado rumo a fundação de uma Filosofia Especulativa contra a moda mecanicista instituída pelo pensamento de Descartes.

Dizer que tal Filosofia Especulativa tem as suas raízes no pensamento de Leibniz e o mesmo que afirmar que entre Hegel e Leibniz existe similaridades que ainda não receberam o devido tratamento pela literatura secundaria. Pois, não existe um afastamento extremo entre os dois filósofos. Assim, sendo possível afirmar que “Hegel is much nearer to Leibniz in his outlook on the universe than is commonly supposed. Like Leibniz he conceives the world as an organic unity of spiritual beings, each of which ideates the whole universe from its own point of view.”

Existe uma grande similaridade entre o Absoluto Hegeliano e o conceito Leibniziano de Universo. E, para que isso seja provado, o presente trabalho irá analisar trechos de algumas obras de Leibniz, e.g., a Teodicéia e a Monadologia, que claramente influenciaram algumas reflexões Hegelianas.

Para Leibniz, o Universo é composto de um número infinito de substâncias individuais, sem qualquer poder de causação umas sobre as outras. Pois, tal poder seria ideal, isto é, mediado por Deus. Novamente, de acordo com Hegel, “Leibniz’s philosophy is a metaphysics and in sharp contrast to the simple universal Substance of Spinoza, where all hat is determined is merely transitory, it makes fundamental the absolute multiplicity of individual substances, which after the example of the ancients he named monads – (…)”

É o conceito da harmonia pré-estabelecida que traça conexões mais profundas entre os dois filósofos. De acordo com a harmonia pré-estabelecida, cada substância apenas afeta a si mesma. Mas, de qualquer maneira, as substâncias individuais interagem entre si, devido ao fato de Deus haver pré-estabelecido que elas devam se harmonizar umas com as outras. Assim, a monada passa a interagir com o mundo, funcionando tal um espelho.

Essa iteração também ocorre na filosofia Hegeliana e é reconhecida por muitos como a gênese do problema da intersubjetividade. Mas, o que falta aos estudiosos de Hegel é a visão da Filosofia como o desenvolvimento contínuo da Idéia. De maneira que, se possa dizer que tal intersubjetividade já estaria presente nos trabalhos de Leibniz, apenas aguardando ser desvelada por um sistema capaz de reconhecer a sua grandiosidade.


Lars Vilks – O que é a arte?

junho 16, 2010

Série de cinco vídeos produzidos por Lars Vilks para intensificar o debate sobre a arte.


O Dilema do Prisioneiro.

junho 8, 2010

O dilema do prisioneiro (DP) dito clássico funciona da seguinte forma:

Dois suspeitos, A e B, são presos pela polícia. A polícia tem provas insuficientes para os condenar, mas, separando os prisioneiros, oferece a ambos o mesmo acordo: se um dos prisioneiros, confessando, testemunhar contra o outro e esse outro permanecer em silêncio, o que confessou sai livre enquanto o cúmplice silencioso cumpre 10 anos de sentença. Se ambos ficarem em silêncio, a polícia só pode condená-los a 6 meses de cadeia cada um. Se ambos traírem o comparsa, cada um leva 5 anos de cadeia. Cada prisioneiro faz a sua decisão sem saber que decisão o outro vai tomar, e nenhum tem certeza da decisão do outro. A questão que o dilema propõe é: o que vai acontecer? Como o prisioneiro vai reagir?

O fato é que pode haver dois vencedores no jogo, sendo esta última solução a melhor para ambos, quando analisada em conjunto. Entretanto, os jogadores confrontam-se com alguns problemas: Confiam no cúmplice e permanecem negando o crime, mesmo correndo o risco de serem colocados numa situação ainda pior, ou confessam e esperam ser libertados, apesar de que, se ele fizer o mesmo, ambos ficarão numa situação pior do que se permanecessem calados?

Um experimento baseado no simples dilema encontrou que cerca de 40% de participantes cooperaram (i.e., ficaram em silêncio).

Em abstracto, não importa os valores das penas, mas o cálculo das vantagens de uma decisão cujas conseqüências estão atreladas às decisões de outros agentes, onde a confiança e traição fazem parte da estratégia em jogo.

Casos como este são recorrentes na economia, na biologia e na estratégia. O estudo das táticas mais vantajosas num cenário onde esse dilema se repita é um dos temas da teoria dos jogos. Fonte: Wikipédia.

Faz dois dias encontrei um quadrinho bastante interessante que trata da relação do Dilema do Prisioneiro com os problemas Morais.

Isso aconteceu durante a ressaca do noticiário sobre o problema da Flotilla. E, me fez pensar um pouco sobre que outras possibilidades de ação poderiam ter existido tanto para os manifestantes quanto para a Marinha Israelense, na busca de um resultado vantajoso para ambos.

Como o problema a me rendeu uma boa dose diversão e reflexão desinteressada, prometo escrever qualquer coisa sobre o assunto daqui para o final do mês. No momento, deixo vocês com o quadrinho explicativo do dilema para que se possa iniciar uma discussão.

Fonte: Saturday Morning Breakfast Cereal



Israel, liberdade acadêmica, etc.

junho 6, 2010

Chomsky é judeu. Participou do movimento HaShomer Hatzair durante a juventude. Esteve em Israel na década de 1950 e morou durante algum tempo no kibutz Hazoe’a. No entanto, mês passado, a caminho do West Bank para proferir uma palestra numa Universidade palestina, teve a entrada proíbida no país.

Segundo Chomsky “é difícil pensar num caso similar, no qual a entrada de uma pessoa seja negada porque ele não irá fazer uma palestra em Tel Aviv. Talvez, apenas em regimes Stalinistas (…)”

Não divido as opiniões políticas de Chomsky.  Mas, apesar de tudo, não posso deixar de admirar um pensador que se posiciona diante do mundo em defesa da liberdade de expressão.

Não há no mundo um governo simpático as idéias de Chomsky. Mas, aparentemente, apenas Israel e a antiga Tcheco-Eslováquia tiveram o privilégio de negar a entrada do professor em seus territórios.

Difícil é entender porque tal privilégio não parece incomodar ninguém neste país. Ou, será que não é tão estranho assim para uma democracia ser comparada com um regime totalitário? Mas, se não for estranho é no mínimo triste que tal associação seja possível.

A notícia sobre Chomsky foi matéria dos jornais israelenses em 17 de maio deste ano. E, apenas alguns dias depois, o site de notícias Ynet News divulgou um artigo sobre a liberdade acadêmica em Israel e a necessidade de se rever as condições sobre o status dos professores nas Universidades do país.

Para o autor do artigo, seria uma atitude bem-vinda suspender temporariamente a validade dos títulos acadêmicos de professores engajados em atividades políticas divergentes, até que estes se descomprometessem com as suas associações em fóruns nacionais e internacionais de natureza política.

Afinal, que tipo de instituição “se sentiria obrigada a manter a posse de funcionários imorais, anti-sociais e degenerados, em razão da liberdade acadêmica?” E, continua “a liberdade de expressão é um recurso precioso numa democracia. Mas, deve ser traçada uma linha divisória entre a liberdade acadêmica e a violação de leis ou o favorecimento de atividades subversivas.”

Historicamente, conheço uma série de instituições de ensino superior que permitem a existência de um corpo docente de inspirações políticas divergentes: a Sorbonne, a École Normale Supérieure, Harvard e o MIT; onde, ironicamente, Chomsky dá aulas.

Forçar o silêncio da comunidade acadêmica sempre fez parte da agenda de regimes totalitários. É um absurdo que, num país reconhecido internacionalmente como o único sopro de democracia no Oriente Médio, ainda exista gente capaz de atuar contra o conhecimento.


Sartre: Anarquia e Moral.

maio 22, 2010

"Seria uma moral da esperança, pois a esperança é um valor, uma vez que a realidade da sociedade anarquista não é para amanhã."


ANARCHY AND MORALITY: INTERVIEW WITH JEAN-PAUL SARTRE.
Entrevista concedida a R. FORNET-BETANCOURT, M. CASAÑAS e A. GOMES.
Publicada originalmente na revista espanhola de filosofia Concordia, n.º 1, 1982.
Baixe Aqui: sartremoraleanarquia

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